Art and the Zen of Design

Build complex toys and simple tools

Photography becomes art - Variations on a theme

<< Previous  Jul 6, 2007  Next >>
In this exercise, I'm going to start with one picture, then go down a number of different paths to see what sort of variations I can produce. The starting point is a picture taken in the Greek and Roman galleries at the Metropolitan Museum of Art in New York City.
Greek statue - by Tony Karp
Here's the starting point. It was shot in infrared because it was dark in this gallery.
Greek statue # 2 - by Tony Karp
Here, I've made it black and white and bumped the contrast.
The first step is to try to jazz things up a little, while still staying with the original image.
Greek statue #3 - by Tony Karp
Sepia toning? Yuck!
Mosaic face - by Tony Karp
Introducing "Patternism."
Much better. Here I've broken the image into shaded blocks with highlights along some of the edges. I call this "Patternism." With this technique, the image is broken down into some sort of pattern. You can see the original image if you step back until you're at least 10 or 15 feet from the monitor. It's amazing how much of the original image you can see if viewed this way.
Mosaic face # 2- by Tony Karp
Adding a glow.
In this variation, the blocks that form the image seem to have an inner glow. This one is a keeper.
Greek statue with mosaic overlayy - by Tony Karp
A hybrid image
In this variation, several of the earlier images are combined to produced this hybrid. It's an interesting effect, but perhaps a little too cute.
Star man - by Tony Karp
Star man
This is a completely new path. Here the image is rendered into a network of stars of different colors. A different rendering of the Patternism technique. And yet, if you step a ways back, it's amazing how much of the original image you can now see.
<< Previous  Jul 6, 2007  Next >>
Copyright 1958-2008 Tony & Marilyn Karp
Our Art Museum
Web Site Design
Systems Design
The Future
About
About Tony Karp   -  
Recent Entries
The artist's muse at sunset -- DMC-FZ18
Do you need fancy equipment?
Now here's my plan
Good cookie, bad cookie
But seriously, folks...
Post-processing Mr. Squirrel
A museum of one's own
We need new words to describe what's happening
Going over to the dark side
Shooting the moon
Happy Anniversary, Hobbitt
The view from my window - DMC-FZ18
My favorite museum
A toast to the artist's muse
The DMC-FZ18, a sunset, and a glass of beer
Remembering Herbert Keppler
Shooting abstracts with the Panasonic DMC-FZ18
Fixing a Panasonic DMC-FZ18 problem
More pictures from my Panasonic DMC-FZ18
The journey of a thousand Melvins
Stairway to the stars -- Extreme post processing
DMC-FZ18 - Raw vs JPEG - The JPEG Manifesto
Chromatic aberration and the DMC-FZ18
Raw vs JPEG, the DMC-FZ18, and a mystery
Some pictures from my Kodak P880 - Part 2
Some pictures from my Panasonic DMC-FZ18
Some pictures from my Kodak P880 - Part 1
DMC-FZ18 - Don't be afraid of the dark
Shooting in "Medium" - DMC-FZ18 - The right exposure
Shooting in "Medium" and the Panasonic DMC-FZ18
In-use review -- Panasonic DMC-FZ18 - Part 2
In-use review -- Panasonic DMC-FZ18 - Part 1
Photography becomes art - Fantasy at Ida Lee
Photography becomes art - The chefs at Little Washington
My new old camera - the Kodak Easyshare P880
Photography becomes art - Variations on a theme
Doing the impossible - Part 4 - The final result
Doing the impossible - Part 3 - The solutions
Doing the impossible - Part 2 - The challenges
Doing the impossible - Part 1 - The Godfather
All the (art) news that's fit to print
The museum becomes art - #1
Photography becomes art - Making an angel
Some theories about the Sony DSC-H9
How to test a camera
Hitting the wall
Extreme post-processing - Working with infrared
Everything old is new again
Some further thoughts on the Sony DSC-H9
Farewell, my DSC-H9 - a mini review
Learning to live with the Sony DSC-H9
Possibilities
Some thoughts about cameras - The Sony DSC-H9
Blogging 2.0 - A new interface
A funny thing happened on my way to the blog
In the beginning...